G rand history buff on the one hand and the other novels I read a significant amount of "historical thrillers." In point of reaching a kind of weariness. Because many of these thrillers, the author feels obliged Assen, either through the mouth of a character, either in the narrative itself, a history lesson of the day. And because many of these thrillers based on intrigue rather weak, sometimes completely transparent to the point that we all below guessed from the first third of the book, and sometimes so complex artificially (to make "intelligent"? ) it becomes inedible.
It is rare that a "historical thriller" my bank to my reading, I am passionate about its plot and the universe in which it unfolds. A Conspiracy of Paper / A conspiracy of paper, the first novel by David Liss, made me this one, and I told the property in one of my tickets . Finding The Devil's Company , the same David Liss (Ballantine Books, 2010, ISBN 978-0-8129-7452-2; first edition: Randmon House, 2009), at a bookstore I haunt the shop, I hesitated a few seconds to buy it: I was a bit afraid of being disappointed by comparison with the other. But could I really miss an opportunity to get carried away in a plot involving the Honourable East India Company (HEIC), the British East India Company, whose name alone makes me travel?
It is rare that a "historical thriller" my bank to my reading, I am passionate about its plot and the universe in which it unfolds. A Conspiracy of Paper / A conspiracy of paper, the first novel by David Liss, made me this one, and I told the property in one of my tickets . Finding The Devil's Company , the same David Liss (Ballantine Books, 2010, ISBN 978-0-8129-7452-2; first edition: Randmon House, 2009), at a bookstore I haunt the shop, I hesitated a few seconds to buy it: I was a bit afraid of being disappointed by comparison with the other. But could I really miss an opportunity to get carried away in a plot involving the Honourable East India Company (HEIC), the British East India Company, whose name alone makes me travel?
I did well, because this "Devil's Company" has been rather involved. Especially because, although it may be regarded as "historic" because it takes place at a remote period of nearly three centuries of our daily readers, this novel nevertheless offers some very contemporary.
The plot is not limited, as is often seen in historical novels, a few rivalries palace corridors, or a few different families. Here, the decor and the stakes are higher. The Devil's Company we discover, through the tribulations of its main character, Benjamin Weaver, and his disputes with the East India Company and the various clans qu'ys'y entredéchirent, the voracity of capitalism 'modern' birth. The
HEIC portrayed by David Liss is a bit of "World Company" caricatured by Guignols de l'info : a global company, cynical, seeking government support when it 's suits but denying the constraints and controls the rest of the time. Penned by Mills are emerging rivalry and collusion between investors and legislators, among aristocrats and upper middle class, laborers of the Company to break the back of the unions, the struggle for influence between proponents of free trade at all costs and defenders of indigenous products, cotton wool against Indian English. In the background is the nagging question of whether free trade is really beneficial to all nations, as advocated mercantilist theorists, as Josiah Childs, who had been governor of the East India Company?
To weave the plot of The Devil's Company David Liss crosses this line is that this plot of intrigue cynical politicians and merchants, with the chain which gives a special flavor to the London of the early eighteenth century , antisemitic prejudices which Weaver is victim to the anthill stunning warehouse of the Company, through homes meeting "men who prefer men" or how fashions are made and unmade.
This fabric is complemented by characters whose portrait is the most delicate and complex, from there to say if these characters are all realistic, I do not cross the step, but at least I speculate that they are characters that seem plausible and are alive.
Yet I have not found The Devil's Company also exciting that A Conspiracy of Paper . What bothered me was the bidding war, which made me say, at times, "No, there is too much." Too many twists and turns in the plot, too many twists and turns that ultimately seem artificial, an overflow which affected my ability to stay immersed in the story, making me move from player to player credulous disbelief, losing my " ; willing suspension of disbelief " so dear to writers of fiction when they think of their future reactions to readers or viewers.
Moreover, I came several times, to wonder if Benjamin Weaver was really low ceiling. Is it really so uncritical that he falls into the traps the coarsest him, the "hunter of thieves" ( thief taker ) proclaimed?
In total, Weaver is a puppet in this plot, but is it too easily manipulated, and too many puppeteers? It is for each reader to form his own idea. I got mine, do not deprive you of yours. The Devil's Company is perhaps not a gem of purest water, but not for much of the shoddy treatment!
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